painting$57250$ - definizione. Che cos'è painting$57250$
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Cosa (chi) è painting$57250$ - definizione

STYLE OF PAINTING
Splatter painting; Gestural abstraction; Action Painting; Direct painting; Gestural painting; Action+Painting; Action-painting

Word painting         
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MUSICAL TECHNIQUE OF WRITING MUSIC THAT REFLECTS THE LITERAL MEANING OF A SONG
Tone painting; Word-painting; Madrigalism; Text-painting; Text painting; Wordpainting
Word painting, also known as tone painting or text painting, is the musical technique of composing music that reflects the literal meaning of a song's lyrics or story elements in programmatic music.
Rajput painting         
  • Kota]], c. 1660. Private collection.
  • Mewar]], 1605. [[Los Angeles County Museum of Art]].
  • Kishangarh]], c. 1750. National Museum, New Delhi.
  • ''A King converses'', Folio from the ''[[Kalpa Sūtra]]'' and ''[[Kalakacharya Katha]]''. [[Gujarat]], 1411. [[Arthur M. Sackler Gallery]].
  • ''Umed Singh of Bundi with his Sons''. Bundi, c. 1765. [[Yale University Art Gallery]].
  • Kangra]], c. 1780–1790. [[Philadelphia Museum of Art]].
  • ''The accession of [[Shah Jahan]]'' by [[Bichitr]], part of the Windsor [[Padshahnama]]. Circa 1628. [[Royal Collection]].
  • ''Brijnathji and Durjan Sal sight a pride of lions'', attributed to anonymous painter assisted by [[Shaykh Taju]]. Kota, 1730–1735. [[Rao Madho Singh Trust Museum]].
  • ''Chanda talking to a Friend'', Folio from a [[Chandayana]]. Probably Delhi – Jaunpur belt, c. 1525–1575. [[Chhatrapati Shivaji Maharaj Vastu Sangrahalaya]].
  • Guler]], c. 1730. Los Angeles County Museum of Art.
  • Nurpur]], c. 1660–70. [[San Diego Museum of Art]].
  • p=481}} [[Williams College Museum of Art]].
  • Kangra]], c. 1800–1815. [[Government Museum and Art Gallery, Chandigarh]].
  • Mandi]], c. 1650. Private collection.
  • ''Krishna Fluting in the Forest''. [[Jaipur]], c. 1720–1740. [[Harvard Art Museums]].
  • ''[[Krishna]] defeats [[Trinavarta]]'', folio from the "Dispersed" [[Bhagavata Purana]]. North India, c. 1520. [[Freer Gallery of Art]].
  • Bikaner]], 1675. [[Kronos Collections]].
  • ''Head of Krishna: cartoon for a mural of the Raslila'' by [[Sahibram]]. Jaipur, c. 1800. Metropolitan Museum of Art.
  • p=42}} Bikaner, c. 1870. Metropolitan Museum of Art.
  • ''Maharana Amar Singh II with Ladies of the Zenana outside the Picture Hall at Rajnagar'', attributed to [[Stipple Master]]. [[Udaipur]], c. 1707–8. [[Metropolitan Museum of Art]].
  • Jiva]]. Mewar, 1749. San Diego Museum of Art.
  • p=524}}
  • p=219}} Kota, 1844. [[National Gallery of Victoria]].
  • Abu'l-Hasan]], Folio from the [[St. Petersburg Album]]. Agra, c. 1610–18. [[Institute of Oriental Manuscripts of the Russian Academy of Sciences]].
  • Nawalgarh]], an example of [[Shekhawati painting]]
  • Mohanlal]] with His Camera. Udaipur, c. 1875. The City Palace Museum, Udaipur.
  • Basohli]], c. 1707–1715. [[Art Gallery of New South Wales]].
  • ''Raja Ajmat Dev''. Mankot, c. 1730. [[Victoria and Albert Museum]].
  • ''Raja Balwant Singh of Jasrota examining a painting with Nainsukh'' by [[Nainsukh]]. [[Jasrota]], 1745–1750. Rietberg Museum.
  • ''Rama Bestows His Possessions on the Brahmins, His Friends, and Servants'', Folio from the "Shangri" Ramayana. Attributed to First Bahu Master, c. 1680–1695. [[Los Angeles County Museum of Art]].
  • ''[[Ravana]], overwhelmed by grief on hearing of his son's death, sends out more forces against [[Rama]]'' by [[Sahibdin]], Folio from the Mewar [[Ramayana]]. Arranged in old horizontal ''pothī'' format, a full-page picture on one side of folio and accompanying text on the reverse, this painting follow Indian tradition of illustration of several connected incidents from a story in the same picture in continuous narration. Here we first see Ravana overwhelmed by grief on hearing of his last remaining son's death. Then furious with rage, he rushes with his upraised sword at [[Sita]], who calmly awaits her fate seated in her grove, but he is restrained by his minister Suparsva. In order to intimidate [[Rama]] for his own going forth on the morrow, he decides to send out his army yet again to the accompaniment of war-drums and trumpets being beaten and blown, while his own bow is made ready. Mewar, 1652. [[British Library]].
  • Deogarh]], 1806. Metropolitan Museum of Art.
  • Bandralta]]-[[Mankot]] workshop, c. 1700. [[Government Museum and Art Gallery, Chandigarh]].
  • ''Vilaval Ragini'', folio from the [[Chunar Ragamala]], dated February 24, 1591. [[Bharat Kala Bhavan]].
  • Garhwal]], c. 1780–1790. [[Museum of Fine Arts, Boston]].
  • ''The Dying Inayat Khan'' by [[Balchand]]. [[Agra]], 1618. [[Bodleian Library]].
  • ''Wedding of Krishna's Parents'', Folio from a Bhagavata Purana series. Ascribed to a Master of the first generation after Manaku and Nainsukh. Guler, c. 1770. Museum Rietberg.
  • language = en}}</ref> [[Malwa]], Mid 17th century. [[National Museum, New Delhi]].
ART STYLE THAT EVOLVED IN THE COURTS OF RAJPUTANA IN INDIA
Rajput Painting; Rajasthani Painting; Rajput miniature painting; Rajastani painting; Mewar painting; Rajasthani miniature painting; Rajasthani painting; Rajput painter; Kishangarh painting
Rajput painting, also called Rajasthan painting, evolved and flourished in the royal courts of Rajputana in northern India, mainly during the 17th century. Artists trained in the tradition of the Mughal miniature were dispersed from the imperial Mughal court, and developed styles also drawing from local traditions of painting, especially those illustrating the Hindu religious epics, the Mahabharata and Ramayana.
Encaustic painting         
  • Fayum mummy portrait]]
  • The Mummy of Demetrios, 95-100 C.E.,11.600a-b, [[Brooklyn Museum]]
ARTISTIC TECHNIQUE USING ENCAUSTIC PAINT
Encaustic Painting; Wax painting; Encaustic wax; Hot wax painting; Encaustic Wax; Encaustic painter; Encaustice; Encaustike
Encaustic painting, also known as hot wax painting, is a form of painting that involves a heated wax medium to which colored pigments have been added. The molten mix is applied to a surface—usually prepared wood, though canvas and other materials are sometimes used.

Wikipedia

Action painting

Action painting, sometimes called "gestural abstraction", is a style of painting in which paint is spontaneously dribbled, splashed or smeared onto the canvas, rather than being carefully applied. The resulting work often emphasizes the physical act of painting itself as an essential aspect of the finished work or concern of its artist.